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A N A S T A S I A   P E L I A S   | | | 

[New Orleans, LA ::: b.1959 New Orleans, LA]

Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA and Skopelos, Greece. Blending the vibrant, compassionate nature of a New Orleanian with her weighty Greek heritage, Pelias creates work that is rich with personal depth of emotion and the spirit of exploration. Through a nuanced interpretation of paint, color, marks and ritual objects, Pelias unapologetically explores the overarching subjects of life, death, love, sex and the female experience. An abstractionist in the truest form, Pelias’ work reflects a seriousness and dedication to the traditional principles of painting – both the concept and the actuality.


Anastasia Pelias received a BFA from Newcomb College of Tulane University, New Orleans (1981), and an MFA from the University of New Orleans (1996). She is a painter and sculptor whose work explores color and the tension between object and form. Pelias creates site-specific installations in which she examines personal history, familial relationships and human ritual. She draws from her Greek and New Orleanian heritage to infuse her work with her preferred subjects: love, sex, death, destiny, and the female experience. Pelias’ work invites viewers to immerse themselves in the expression of her story, but also to examine that story introspectively. Pelias has exhibited her work in numerous solo and group exhibitions at galleries and museums nationwide, including the McNay Art Museum, San Antonio; Ford Foundation Gallery, New York; Pensacola Museum of Art; Ogden Museum of Southern Art, New Orleans; Newcomb Art Museum, New Orleans; Contemporary Arts Center, New Orleans; and the Louisiana State University Museum of Art, Baton Rouge. Her work is included in the permanent collections of the New Orleans Museum of Art; McNay Art Museum, San Antonio; Ogden Museum of Southern Art, New Orleans; Newcomb Museum, New Orleans; Mobile Museum of Art, Alabama, and in private and public collections around the world. 



In her studio practice, Pelias embraces a process that is both intuitive and deliberate. Her work moves from paintings on canvas and works on paper to site-specific installations, objects and video. Her intention is to invite the viewers to experience a suspended moment and also to engage in their own consciousness. The human-size scale of her interactions with diverse media allows the viewer to immerse oneself in the work as opposed to simply being an observer.


Greek rituals and icons, the rich Afro-Caribbean culture in New Orleans, the shifting landscape of both her immediate environment, Louisiana, and of her familial home, Greece, all equally inform her work. 


Relationships have always been at the center of what motivates Pelias to make art. These often include formal relationships dealing with color, marks and space as well as the different kinds of tension that exist between objects and forms. Her work draws upon relationships between people, their narratives and their environments while also exploring the complexities and absurdities of these connections – between man and woman, between mother and daughter and between friends. Deep ancestral connections are ever-present in Pelias’ works, weaving their way through and in between her exploration of these relationships – resonating even if they’re not always understood.


Pelias wants to reveal the poetic moments that exist within and between these relationships. She hopes to create work that is full of emotion and visual pleasure.

C U R R I C U L U M   V I T A E   | | | 
[download full CV below]

1996   MFA, Painting, University of New Orleans
1981   BFA, Painting, Newcomb College of Tulane University 


McNay Art Museum, San Antonio, TX

Newcomb Art Museum, New Orleans, LA

Thomas and Dathel Coleman, St. Rose, LA

New Orleans Museum of Art, New Orleans, LA
The Mobile Museum of Art, Mobile, AL
Bernstein Litowitz Berger & Grossmann LLP, New York, NY
The Ogden Museum of Southern Art, New Orleans, LA
Ambassador Alexandra Papadopoulou, Athens, Greece
Iberia Bank Collection, Lafayette, Metairie and Shreveport, LA
Synovate Marketing, London, England, UK
The Catahoula Hotel, New Orleans, LA
Memorial Sloan Kettering Hospital, Commack, NY

IMTT Sculpture Park, St. Rose, LA

Four Seasons, New Orleans, LA



2020     Anastasia Screamed in Vain, Jonathan Ferrara Gallery, New Orleans, LA

2019     Destiny is Destiny (sing my song), Jonathan Ferrara Gallery, New Orleans, LA
             Mastropetro Project (Magdalene), supported by the Skopelos Foundation for the Arts, Greece

2018-9  mama, a site-specific installation, McNay Art Museum, commissioned by the museum, San Antonio, TX

2017     Sisters, Jonathan Ferrara Gallery, New Orleans, LA
2015     Ritual Devotion, Zoya Tommy Contemporary, Houston, TX
2011     Washed (to the sea and other waters), Heriard-Cimino Gallery, New Orleans, LA
2009     Automatics, Heriard-Cimino Gallery, New Orleans, LA
2004     Linked: New Paintings, Heriard-Cimino Gallery, New Orleans, LA
2001     700 ft. square, Heriard-Cimino Gallery, New Orleans, LA



2020     Prospect.5 Triennial, Yesterday we said tomorrow, New Orleans, LA

            Per(Sister): Incarcerated Women of Louisiana, Ford Foundation Gallery/ Ford Foundation, curated by Monica-Ramirez-Montagut, New York, NY

2019    Per(Sister): Incarcerated Women of Louisiana, Newcomb Art Museum of Tulane University, curated by Monica Ramirez-Montagut and Laura Blereau, New Orleans, LA

2018    Vessels of Mercy, Vessels of Wrath, Barrister's Gallery, curated by Serge Loncar, New Orleans, LA

2018    The Whole Drum Will Sound, Ogden Museum of Southern Art, New Orleans, LA
2018    Constructing the Break, Whitney White Linen Night, Contemporary Arts Center, curated by Allison M. Glenn, New Orleans, LA