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[Portland, OR ||| b. 1971 - Hunstville, Alabama]


Dirk Staschke is a full time studio artist who is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting and often uses meticulous representation as foil for examining skill and craft.


He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for the last twenty years. During this time, he has taught at many notable universities, including Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA), Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts.




Dutch still life paintings, sometimes called Vanitas, are concerned with the futility of pleasure and the certainty of death. Religious in nature, the paintings also confer the belief that this world is somehow less real than the one that awaits. It is this modulation between the real and illusionistic that most interests me and ultimately makes my work about perception.


I endeavor to explore the space in between sculpture and painting that neither medium can occupy alone. Look behind a painting and the illusion of space is lost. My work seeks to give that space a tangible form. The knowable gives way to a backdrop of structures that exist in support and in reaction to its creation. Representation becomes a departure point and a foil for examining skill and craft.


My latest investigations have taken me directly to painting. The notion of futility is key in the Vanitas tradition. I look to translate that futility into an artistic gesture by rendering what is representational and static in the fluid medium of glaze, knowing that what is painstakingly depicted will change beyond my control once fired. It captures a fleeting moment reminiscent of the temporal nature of life. Conversely, history has shown fired ceramic to be among the most permanent materials in existence.

Invoking the impermanent in the enduring medium of ceramic becomes a hopeful act, and in some small way, futility gives way to optimism.

[Download Full CV Below]




1998     Alfred University, Alfred, NY, Master of Fine Arts Degree

1995     University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree


Selected Solo Exhibitions


2018     In-Between, Mark Moore Fine Art, Orange Park, CA

2017     Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA

2016     Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA

2015     Executing Merit, Winston Wachter Fine Art, Seattle, WA

2014     Bounty, Clark Collage, Vancouver, WA

2013     Sated, Winston Wachter Fine Art, Seattle, WA

2012     Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA

2009     Making Arrangements, Wexler Gallery, Philadelphia, PA

2006     Ornament, Wexler Gallery, Philadelphia, PA

2004     Politics of Clay, Clay Art Center, Port Chester, NY

            Wexler Gallery, Philadelphia, PA

2003     John Elder Gallery, New York, NY


Selected Group Exhibitions


2018     Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England

            Vasa Vasorum, Curated by Garth Clark at peters Projects, Santa Fe, NM

            Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA

            New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY

            Sugar, Eutectic Gallery, Portland, OR

2017     C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France

            The Evocative Garden, NCECA invitational exhibition, Portland, OR

            Selections from the PAM permanent Collection, Portland Art Museum, OR

            Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT

            BC to BC, San Diego Art Institute, San Diego, CA

            LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR

            Form Over Function, Winston Wachter Fine Art, Seattle, WA

2015     Crafting a Collection, Fuller Craft Museum, Brockton, MA

2014     Ceramic Top 40, Red Star Studios, Kansas City, MO

            Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA

2013     Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL

2012     Shifting Paradigms, Museum of Fine Arts, Houston,  Houston, TX

            Enough is as Good as a Feast, Gallery Jones, Vancouver, BC




The Smithsonian, American Art Museum, Renwick Gallery, Washington, DC

Icheon Museum, World Ceramic Center, Gwango-dong, South Korea

The Crocker Art Museum, Sacramento, CA

The Portland Art Museum, Portland, OR

Museum of Fine Arts Houston, Houston, TX

Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT

AMOCA (American Museum of Ceramic Art), Pasadena, CA

Fuller Museum, Brockton, MA

Birmingham Museum of Art, Birmingham, AL

The Burchfield Penney Museum, Buffalo, NY

ASU Art Museum, Tempe, AZ

The International Museum of Ceramic Art, Alfred, NY

Southern Progress Corporate Collection, Birmingham, AL

Various Private collections