

Biography
Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Copenhagen, Denmark. She has exhibited in Denmark, Sweden, Italy, Portugal, Uruguay, Slovakia and Yerevan. She has received grants from the Danish Arts Foundation, and she is also represented in their collection. She received the A M Lindell grant in 2021, and was nominated for the Queen Sonja Print Award in 2020, and the QSPA inspirational Award in 2017 and 2020. Since 2018 Malou has been a volunteer member of the artist-run exhibition space Sydhavn Station, an old office space and small kiosk at a train station in Copenhagen.
CV
EDUCATION
2016 MFA + BFA in – The Royal Institute of Art, Stockholm, Sweden
2011 Spektrum, Preparatory art school in Copenhagen, Denmark
2010 Vera, Preparatory art school in Copenhagen, Denmark
2008 BA in International development studies and pedagogy and educational studies at Roskilde University Center (RUC), Denmark
SOLO EXHIBITIONS
2021 Wellness, The Eks-Room at Prags Boulevard 61, Copenhagen Denmark
2021 In the distance II, The Guest Room, Copenhagen Denmark
2020 In the distance, The exhibition space Sydhavn Station, Copenhagen Denmark
2019 Close Contact, The house of danish printmakers, Copenhagen Denmark
2019 Manifestation, The exhibition space Sydhavn Station, Copenhagen Denmark
2018 Spectators, Billboard exhibition, The exhibition space Sydhavn Station Copenhagen Denmark
2017 Trojan rooms, PVC, Copenhagen Denmark
2015 Damn, I already forgot, Gallery Mejan, Stockholm Sweden
SELECTED GROUP EXHIBITIONS
2022 Resonance of a Room with Julie Boserup, The exhibition space Sydhavn Station, Copenhagen Denmark
2020 Sorgenfri (carefree), Gallery CC, Malmø Sweden
2020 10th International printmaking biennial, Douro Portugal
2019 4th Global Print, Douro Portugal
2019 Plastic, The Eks-room, Copenhagen Denmark
2019 The Final Exhibition 2, Copenhagen Denmark
2018 Transition, KØS - museum of art in public spaces, Køge Denmark
2018 The Others, Art fair, Torino Italy
2018 Fragmented connections, The exhibition space Sydhavn Station, Copenhagen Denmark
2018 Sprout Festival, Holbæk Denmark
2017 Muestra Lugares Múltiples, Uruguay
2017 The Final Exhibition, Copenhagen Denmark
2017 First Print Biennale, Yerevan Armenia
2016 3 Days of Navigating, The modern Museum, Stockholm Sweden
2016 Collect yourself - MFA show, Stockholm Sweden
SELECTED GRANTS AND NOMINATIONS
2022 Council for the Visual Arts, Copenhagen Municipality, project based grant
2021 A.M. Lindells Scholarship, work grant
2021 The Danish Arts Foundation, project based grant
2020 Council for the Visual Arts, Copenhagen Municipality, project based grant
2020 The Danish Arts Foundation, project based grant
2020 The Danish Arts Foundation, work grant
2020 Nominated for the QSPA inspirational Award
2020 Nominated for the Queen Sonja Print Award
2020 L. F Foghs Foundation
2019 The art society Våga se, printmaking grant
2019 The Danish Arts Foundation, work grant
2019 Council for the Visual Arts, Copenhagen Municipality, project based grant
2018 The Danish Arts Foundation, project based grant
2018 Gothenburg printmakers, printmaking grant
2017 The Danish Arts Foundation, work grant
2017 Nominated for the QSPA inspirational Award
RESIDENCIES
2020 The workshop for Arts, Copenhagen Denmark
2017 Women’s studio Workshop, New York USA
Artist Statement
I work in graphics and the motifs in my prints are composed from private family photos and found images, cinematic material that I have staged and directed, or taken from private home video archives of 8 mm film and VHS. The scenes in my motifs are often set indoor in sparsely occupied homes, and ordinary but overwhelming public space that resonate with a sense of shivering inertia. My works revolve around a restless and ambivalent longing for a community, not knowing if you feel like being a part of it or not. I work with the paradoxical anatomy of intimacy, the suffocating security of the ordinary, and the fragile and beautiful foundation of everyday life.
I explore the concept of belonging by reconstructing ambiguous familiar spaces like the modern home or shared public spaces. Within these scenarios I investigate atmospheres of nostalgia and troubled memories, longing, repression and hope.
In my recent works, I investigate the idealization of certain spaces - like the perfected home, and the healing spa bath - as strivings for self-realisation that at the same time can shape foundations for prisons of our own making. The home is supposed to be a private safe haven with shady oases of shelter, but it also encapsulates the hyper-civilized human body in an inorganic isolation of glass, metal and overexposed surfaces for others to see and admire. The spa reveals the self-optimizing human body in luxurious surroundings that both offer solace and the never-resting search for the ideal of harmony. I use collages and films as sketching as a way to deconstruct the familiar into a new form and challenge established mindsets and values. It is a way of questioning hierarchies and systems that encircle what is termed ‘the normal’, ‘the ideal’, and ‘the good life’.